Description

The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hand-built in Royer’s Burbank, California factory, the R-10’s sound and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10’s compact size and mounting system allows for flexible, unobtrusive positioning.
The R-10’s 2.5-micron aluminum ribbon element is formed with a patented direct-corrugation process and is protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The ribbon transducer is wired for humbucking to reject electromagnetically induced noise.
The R-10’s built-in windscreen provides superior protection from air blasts and plosives. It also reduces proximity effect (bass buildup from miking) so guitar cabinets and acoustic instruments can be -miked with less bass buildup. The R-10’s internally shockmounted ribbon transducer isolates the ribbon element from shocks and vibrations, increasing the ribbon element’s durability.
The R-10 utilizes a David Royer custom designed transformer for high overload threshold, minimizing saturation at even extremely high sound pressure levels. You’ll never overload an R-10! The mic’s open grill design minimizes standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats.
The R-10 is excellent on brass and can handle -miked trumpets, trombones and other brass instruments. Brass records naturally on an R-10, as bright as the musician plays but without the added sizzle or harshness commonly experienced when condenser mics are used on brass instruments. Drums are full bodied with realistic (not over-hyped) transient response, and the R-10’s figure-8 pattern conveys superb ambience and depth when used for room miking applications. A compressed R-10 in front of the kit sounds huge and punchy. R-10 recordings of violins, ukuleles, steel-stringed and nylon-stringed acoustic guitars, banjos and other stringed instruments are warmth and natural and fit into mixes easily. « Airing out » the recorded track by opening up a bit of 12K with an EQ often gives surprisingly good results. Vocals record record warm and naturally on an R-10, and the EQ-friendliness of the R-10 allows for dialing in completely different sounds with liberal use of EQ. Try experimenting with cutting bass at 100 Hz and opening up 12K by 3 to 6 dB (or more!)
Features:
High SPL capabilities for electric guitar, brass and other miking applications
Multi-layered wind screen provides superior protection to ribbon element
Internally shock-mounted ribbon transducer gives increased durability
Passive design and custom transformer minimize high SPL overload
Hum-bucking transducer design delivers extremely low residual noise
Ribbon element not affected by heat or humidity
Absence of high-frequency peaks, « ringing » and phase shifts
Equal sensitivity from front or back of the element
Recommended Applications:
miking in the studio and on live stages
Electric & acoustic guitars
Drum overheads, kick drum (see manual for position), room miking
Percussion instruments
Brass, horn sections
Strings – solo & sections
Acoustic piano
Vocals
Specifications:
Acoustic Operating Principle: Electrodynamic pressure gradient
Polar Pattern: Figure-8
Generating Element: 2.5-micron aluminum ribbon
Magnets: Rare Earth Neodymium (Grade 52)
Frequency Response: 30Hz-15,000Hz +/- 3dB
Sensitivity: -54dBv (re. 1v/pa)
Output Impedance: 100 Ohms
Maximum SPL: 135dB @ 50 Hz, 160dB @ 1kHz
Recommended Load Impedance: 700 Ohms (or greater)
Output Connector: Male XLR 3-pin (Pin 2 Hot)
Accessories: Microphone Holder, Mic Sock, Carrying Case
Microphone: Adjustable Swivel Mount (Black)